Ian Rayer-Smith

Images
Works
  • Ian Rayer-Smith, A place between two
    Ian Rayer-Smith
    A place between two
    Acrylic on canvas
    79 x 134 in
    200 x 340 cm
  • Ian Rayer-Smith, After Monet
    Ian Rayer-Smith
    After Monet
    Acrylic on wooden panel
    71 x 63 in
    180 x 160 cm
  • Ian Rayer-Smith, Allure
    Ian Rayer-Smith
    Allure
    Oil on Stretched Canvas
    75 x 75 in
    190.5 x 190.5 cm
  • Ian Rayer-Smith, Blinkers
    Ian Rayer-Smith
    Blinkers
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Blurt
    Ian Rayer-Smith
    Blurt
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Brainstorm
    Ian Rayer-Smith
    Brainstorm
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Breakers
    Ian Rayer-Smith
    Breakers
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Breath
    Ian Rayer-Smith
    Breath
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Consort
    Ian Rayer-Smith
    Consort
    Acrylic on Wood Panel in Bespoke Frame
    77 x 46 in
    195.6 x 116.8 cm
  • Ian Rayer-Smith, Dingers and Hums
    Ian Rayer-Smith
    Dingers and Hums
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Dream snappers
    Ian Rayer-Smith
    Dream snappers
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Drifts
    Ian Rayer-Smith
    Drifts
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Exodus
    Ian Rayer-Smith
    Exodus
    Acrylic on Wood Panel in Bespoke Frame
    77 x 46 in
    195.6 x 116.8 cm
  • Ian Rayer-Smith, Flaunters
    Ian Rayer-Smith
    Flaunters
    Acrylic on canvas
    86 x 60 in
    218 x 152 cm
  • Ian Rayer-Smith, Flibbertigibbets
    Ian Rayer-Smith
    Flibbertigibbets
    Acrylic and oil on stretched canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Gorging on historical references
    Ian Rayer-Smith
    Gorging on historical references
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Gravity
    Ian Rayer-Smith
    Gravity
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Hedonistic sprinkles
    Ian Rayer-Smith
    Hedonistic sprinkles
    Acrylic on canvas
    71 x 63 in
    180 x 160 cm
  • Ian Rayer-Smith, In and Out
    Ian Rayer-Smith
    In and Out
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Lit
    Ian Rayer-Smith
    Lit
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Long shot silhouettes
    Ian Rayer-Smith
    Long shot silhouettes
    Acrylic on wooden panel
    71 x 63 in
    180 x 160 cm
  • Ian Rayer-Smith, Loom
    Ian Rayer-Smith
    Loom
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Loops
    Ian Rayer-Smith
    Loops
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Miraculous intentions
    Ian Rayer-Smith
    Miraculous intentions
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Momentum
    Ian Rayer-Smith
    Momentum
    Acrylic on stretched linen
    75 x 75 in
    190 x 190 cm
  • Ian Rayer-Smith, Portal 6
    Ian Rayer-Smith
    Portal 6
    Acrylic on Canvas
    60 x 48 in
    152 x 122 cm
  • Ian Rayer-Smith, Prehistoric Selfie
    Ian Rayer-Smith
    Prehistoric Selfie
    Acrylic on Canvas
    60 x 60 in
    152 x 152 cm
  • Ian Rayer-Smith, Reminiscence
    Ian Rayer-Smith
    Reminiscence
    Acrylic and oil on stretched canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Roamers
    Ian Rayer-Smith
    Roamers
    Acrylic and oil on stretched canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Short Story
    Ian Rayer-Smith
    Short Story
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Slowly It Passes
    Ian Rayer-Smith
    Slowly It Passes
    Acrylic on stretched canvas
    86 x 60 in
    218.4 x 152.4 cm
  • Ian Rayer-Smith, Spells of Rapture
    Ian Rayer-Smith
    Spells of Rapture
    Acrylic on stretched canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, The Approach
    Ian Rayer-Smith
    The Approach
    Acrylic on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Tinkering with Ruffians
    Ian Rayer-Smith
    Tinkering with Ruffians
    Acrylic on Canvas
    60 x 48 in
    152 x 122 cm
  • Ian Rayer-Smith, Tippy demise
    Ian Rayer-Smith
    Tippy demise
    Acrylic on canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Trampling
    Ian Rayer-Smith
    Trampling
    Acrylic on canvas
    71 x 71 in
    180 x 180 cm
  • Ian Rayer-Smith, Trampling 2
    Ian Rayer-Smith
    Trampling 2
    Acrylic and Oil on Stretched Canvas
    79 x 67 in
    200.7 x 170.2 cm
  • Ian Rayer-Smith, Up Lift
    Ian Rayer-Smith
    Up Lift
    Acrylic on stretched canvas
    87 x 57 in
    221 x 144.8 cm
  • Ian Rayer-Smith, Wanderlust
    Ian Rayer-Smith
    Wanderlust
    Acrylic on stretched canvas
    79 x 67 in
    200 x 170 cm
  • Ian Rayer-Smith, Waves
    Ian Rayer-Smith
    Waves
    Acrylic on canvas
    67 x 61 in
    170 x 156 cm
  • Ian Rayer-Smith, We are dreamers
    Ian Rayer-Smith
    We are dreamers
    Acrylic on canvas
    75 x 75 in
    190 x 190 cm
  • Ian Rayer-Smith, Written on Water
    Ian Rayer-Smith
    Written on Water
    Acrylic on Canvas
    60 x 48 in
    152 x 122 cm
Biography

"In his paintings, he seeks to connect with man's earliest forms of self-expression and create a strong sense of emotional impact or energy.

Rayer-Smith strives to bring cohesion to his visual language, which is harmonious yet disruptive, and he believes that contemporary art should pose questions rather than provide answers. His work explores new forms and optical paths while infusing a classical feel, balancing the tension between tradition and innovation."

Bartosz Beta Execute Magazine

"In a world preoccupied with technology, there is something remarkable about painting. It connects us back to man’s earliest and most elemental forms of self expression.

 

I am not interested in painting something that already exists. My pressing urge is to use paint to explore new forms which will ultimately carry emotional weight. I try not to recreate an image. Instead, I may use it as a reference point by which to move from one painting to the next.

 

I am influenced by the Abstract Expressionists - for their emotional rawness and mark making, and also by the Renaissance - for composition, light and movement. Onto these I layer influences from contemporary culture and my own personal experience. I aim to instil a classical feel into my work whilst finding new visual paths, with the result hopefully being an exploration of the purpose of painting itself.

 

I think of my paintings as posing a series of questions rather than providing overt statements or narrative pointers towards any clear kind of answer. There would be no joy or satisfaction in doing that. Instead, the process is more about showing my search for something which, maybe, I hope I’ll never find."